The Black handled knife: Bane of Evil Spirits
Traditional Greek/Cretan style black goat horn knife |
The reproduction, creation, and
proper use of magical weapons have all been passions of mine for many years now.
In the study of the grimoires I have enjoyed uncovering the similarities of
various magical instruments such as the hazel wand, Magical/Solomonic Seal,
magical vestments, and the magical sword. Within the genre of the classical
traditions, I have poured hours into research, experimentation, and divination
to find out which of these magical tools will best serve me in the operations I
undertake.
Usually, I follow the exact recipes mentioned for constructing and consecrating magical tools if I’m working from a specific grimoire. A few of the magician’s tools, (such as the ones I mentioned above) however are described in countless grimoires with quite a bit of variation between them. Many other scholarly and practical magicians have written on the subject and shared their own creations and points of view on the matter. Their efforts along with notable girmoric authors and scholars have really paved the way for others to find what they are looking for with ease and clarity.
Usually, I follow the exact recipes mentioned for constructing and consecrating magical tools if I’m working from a specific grimoire. A few of the magician’s tools, (such as the ones I mentioned above) however are described in countless grimoires with quite a bit of variation between them. Many other scholarly and practical magicians have written on the subject and shared their own creations and points of view on the matter. Their efforts along with notable girmoric authors and scholars have really paved the way for others to find what they are looking for with ease and clarity.
Illustrations of Solomonic magical weapons and implements |
It probably doesn’t need to be
mentioned that much of my research goes beyond simple academic interest and
theorizing. I believe the ritual implements serve a necessary purpose and
fulfill a specific function. In some instances they provide the necessary
protection and defense against some very (possible) harmful situations and
beings. In such cases it would be a rare occasion
should one ever need to wield or use such a weapon beyond a cautionary symbol of authority.
I try to err on the side of caution though, when spiritual interaction is
concerned. It’s better to be more prepared than not in these circumstances.
As with the magical sword, the
magical black hilted knife should be apprehended as a potent symbol of sever
authority and obedience,- and possibly punishment for hostel spirits. It is most
certainly connected to the harsher aspects of Saturn and Mars.The “modern” grimoires say to
construct it is on the day and hour of Saturn. However, you’ll find that older
Greek sources say the knife should be made on the day and hour of Mars. After
going back and forth between my sources I propose one could try creating the
dagger on one day and recon-consecrating it on another. Another idea would be
to possibly forge the dagger on the day and hour of Mars and consecrating and
adding and symbols or sigils on the day and hour of Saturn.
The Hemlock juice mentioned as part of the forging quenching process is a poisonous plant associated with Saturn. As a leathal form of consumption, it was known since ancient Greece and other lands to send man into the otherworld. The black cat which is found in later versions of the Key of Solomon, was to have its blood added to the temper of the metal as well.
The Hemlock juice mentioned as part of the forging quenching process is a poisonous plant associated with Saturn. As a leathal form of consumption, it was known since ancient Greece and other lands to send man into the otherworld. The black cat which is found in later versions of the Key of Solomon, was to have its blood added to the temper of the metal as well.
I’ve encountered mention of Greek and Roman ritualistic uses of
knives of which I will expound on further below. I recalled earlier reading that priests would use a 'black handled knife' to cut turf and possibly the wood
that was used for an altar (or sacrifice fire), and the ivory or white handled knife was used in
the animal sacrifice.
There was also some mention that the
black handled knife may have been more of a hatchet and would have had to be rather large and heavy.
Stylized "athame" black handle dagger with sigils done by Gary of OMEGA ARTWORKS |
Much of the black handled
knife has already been written and blogged about so I’ll do my best to
(hopefully) add some new information and ideas to the interested
magician/grimorist.
First let’s take a look at the parts
of the knife and how they are made:
1.
Material(s):
A finely made damascus steel knife with black horn handle. |
Steel/iron …forged….steel and/or
iron will have many obvious connotations to power, weapons foremost, and war.
Metal/Iron is sacred to Aries or Mars. It seems the handle that was most commonly
used was bone/ ivory or a goat or sheep’s (black) horn. The horns of animals
have been used since ancient times for tools and ritual implements. Horns are
typically associated with power, strength, and a productive nature. The very
forging of a blade is an interesting process; a work of alchemy and artistry.
The violence and force needed to temper a blade by hand is enough to put the
intent of the tool into action.
I’m actually a rather snobbish sword collector and practice my martial art’s style of Iaijutsu and Kenjutsu (swordsmanship) in the Japanese tradition. I pay particular attention to not only how a sword is made but what types of steel(s) are used, and how the forging process is conducted. The melding, shaping, and combining of raw elements together is a sight to behold.
You'll find lore that the Fae, or Celtic spirits/gods/faery are known to dread steel and treat it as a bane to their existence. In fact all spirits, especially ones closest to the earth are weary of tempered steel and bladed weapons in general.
In the excellent work, “The Magical Treatise of Solomon, or Hygromanteia (Sourceworks of Ceremonial Magic Series)”
I’m actually a rather snobbish sword collector and practice my martial art’s style of Iaijutsu and Kenjutsu (swordsmanship) in the Japanese tradition. I pay particular attention to not only how a sword is made but what types of steel(s) are used, and how the forging process is conducted. The melding, shaping, and combining of raw elements together is a sight to behold.
You'll find lore that the Fae, or Celtic spirits/gods/faery are known to dread steel and treat it as a bane to their existence. In fact all spirits, especially ones closest to the earth are weary of tempered steel and bladed weapons in general.
In the excellent work, “The Magical Treatise of Solomon, or Hygromanteia (Sourceworks of Ceremonial Magic Series)”
Ioannis Marathakis quotes
Nikolaos Politis describing a tradtion from Messara in 1904:
“Somebody was going to Khrousa with
a friend of his. In some place they stopped for a while and then they
separated. The moment they separated fairies surrounded him and they were
talking to him. He did not understand what they were saying, but he had heard
that if one beds a black handled knife into the ground, they leave.
Luckily, he had such a knife, he bedded it into the ground and they left.”
2. Design and symbols/Sigils:
Wiccan perspective meaning of the sigils |
There are some correlations between the grimoires of sigils
and words to be engraved on the blade and/or handle. Many are difficult to
decipher and understand in any direct sense. There have been theories and attempts
made by various scholars and working magicians. Many of the symbols or sigils
look like corrupted Hebrew letters as well as numbers which may have been measurement
notes in some cases. However, the few which look to be direct and intended
magical sigils seem to speak of “separating”, “dividing, “scattering”, and “dispatching”
whatever they happen to come in contact with in the spiritual and possibly the
physical as well. The other sigils have references to Saturn and Mars. After inscribing
various sigils and using the black knife, The sigils seem to denote the severance
of energies which would work well for “cutting the line in the earth” for the
circle to make an unbreakable, spiritual, barricade as well as divide any
assembled spiritual energies back into the void.
3. Mixtures, herbs, liquids, and prayers added:
Now with occurring the blood of a black cat, (and no I don’t
think it was “code” for something else.) Black cats are symbols of the controlled
division between the worlds: Life and death, intelligent attentiveness and balance
between the physical world and the world of spirit. There is a humane way to obtain such an
ingredient without killing or even really harming the said feline. Taking blood
from people and animals is a common practice in the healthcare field but may
take some practice and knowledge for any lay person. If available, I would
suggest having a friendly vet or doctor do it for you and only take a
reasonable amount so as not to cause the animal much discomfort. You can also
purchase hyperdermic needles and go on YouTube and study online to learn how to
extract the blood yourself if you wish. Obviously there is some risk to
injuring the furry animal and I would suggest you obtain it from a cat you plan
on having in your family or houshodl for a while. Magicians tend to likeor have
cats, at least many do. Well I myself have a black cat. Seriously, not much
“juice of Hemlock” and “Blood of black cat” is needed to absorb a sufficient
amount within the chemical structure of the steel blade under extreme heat.
You’ll get the needed mixture of molecules to have a very sufficiently
“spiritually lethal” blade. Hemlock,is referring to one or two species of
highly poisonous perennial herbaceous flowering plants in the family Apiaceae,
native to Europe and the Mediterranean region as Conium maculatum, and to southern Africa as Conium.
Poisonous Hemlock was formerly used as a method of execution.
In Greece, Hemlock juice was the substance the famous philosopher, Socrates
ingested when he was sentenced to death. I caution the magus to be EXTREAMLY
cautious if and when deciding to use this ingredient for your magical knife. There
are no specific antidotes available for the toxin which is produced by this
plant so you handle it at your own risk!
Overdoses can produce paralysis and loss of speech, followed
by depression of the respiratory function, and then death. However, if you are
still wishing to obtain this plant to extract the juices from, you can find them
at the below websites:
http://www.herbalfire.com/poison_hemlock.htm
The creation or consecration process doesn't end there. Usually, the knife is then blessed with holy water and/or run through sacred incense which has also been consecrated to magical workings. The item is kept safe in a wrapping of black silk.
Most ancient magical Greek texts that
mention the black handled knife say it should be made from the horn of a
he-goat. It is used to assist with making the pen, parchment AND the circle.
David Rankine also mentions it was used in cases of divination, as found in in
a Talmudic passage by Rashi (Rabbi Shlomo Yitzhaki)
The strongest argument and tradition
supporting the make, appearance and use of the magical black handle knife comes
from Greece and mainly the island of Crete. During my research I found that
knife making is still a very proud tradition and the quality of knives that are
made there are highly prized heirlooms and works of exquisite craftsmanship.
The handles are still primarily made from goat horns and white bone.
Blades of CRETE:
On an Island south of Greece (practically between Greece and Egypt) is
located a place of immense occult lore and foundation for some occult tradtions that are
scattered through the grimoires, especially in its use of weapons against
spirits. The Island name of Crete can be found surfacing in a few occult
references, Dittany of Crete” is an oregano type plant that was said to be
beneficial for manifesting goetic spirits. The knifes which were manufactured
in this tiny region were often of high sentimental value and personal worth.
The blades would have poems and songs inscribed on them. They were used for
defense and customary wear by betrothed or married Cretan women.
The Cretan Dagger in Manners.
Customs and Popular Beliefs of Crete (all information found on related website)
“The importance of the Cretan
dagger's symbolic value in the social life of Crete survived even until
recently.
From a semiological point of view,
the dagger indicated to other men that the girl was betrothed or married and
that she belonged to one and only man.
As a symbolism, it reminded the girl
herself that she ought to be devoted to her husband and that the price she
would pay for any infidelity would be her own life. However, in addition to its
symbolic significance, the dagger also had practical value, because the young
Cretan woman would be able to defend herself and her dignity when in danger.
For the success of the wedding
ritual and the stable foundation of the new family, Cretan customs prescribed
earlier that a small black - hilted dagger be placed on the bride's shoe before
and during the wedding ceremony, so that the "spells" of those
envying her fortune would not work.
Earlier, they used to believe in
Crete that if the couple held a black - hilted dagger during the wedding
ceremony, it would be able to counteract any "spells" that might have
been cast on them aiming at the solution of the marriage.
Finally, after the wedding ceremony
the newly - wed couple had to etch a cross on the threshold of their house with
a black - hilted dagger, so that evil spirits would be prevented from entering
and haunting it.
The symbolic significance of the
dagger and its great metaphysical value in protecting humans against the
fiendish powers of the invisible world and "ill - fated moments" was
deeply rooted in Crete .
Tiny black - hilted daggers were
used in manufacturing talismans for young children and talismans for protecting
epileptics from the bad influence of the moon and the possessed from the
pernicious influence of demons.
Furthermore, when a woman lost one
of her children, she used to hang small black - hilted daggers with crosses
etched on their hilts around her other children's necks as talismans, so that
the Grim Reaper would not take them too.
Engraved Cretan black horn knife |
The Cretan Dagger and Magical Ceremonies
Daggers, always black - hilted,
since black - hilted daggers were feared by the demons, played a leading part
in the practice of magic in the sublunar world of sorcerers.
The sorcerer, master of love and
hatred, in proceeding with his work of magic according to his wishes or those
of the man or woman who had requested his assistance, used a black - hilted
dagger in his spells and rituals of any nature.
In their effort to dominate over the
powers of nature, to transgress against its known laws and to control the lives
of humans with the help of demons, sorcerers used black - hilted daggers, with
which they traced a circle on the ground and then poked it in its centre. Then
they entered the circle and uttered some cryptic words and secret names. In
this way they summoned the demons and ordered them, according to their wishes,
protected from their malicious power inside the circle they had traced with
their dagger. The dagger should not have been used in any other work before
this procedure.
The tracing of the circle and the
invocation of demons that followed constituted, according to tradition, the
consummation of the sorcerer's magic skills.
The tracing of the magic circle with
black - hilted daggers was exercised by the island's sorcerers mainly during
their meetings with demons, called "davetia".
The most typical description of the
tracing of a magic circle with a black -hilted dagger in Crete for obtaining a
magic purpose is provided by Nikos Politis in his description of the
instruction of the lyra - player by the Fairies, so that he would be able to
play the lyra with great virtuosity:
‘Whoever wants to become a good lyra
- player should go to an isolated crossroads at midnight. First he should trace
a circle on the ground with a black - hilted dagger, then enter it, stay there
and start playing the lyra. A little later the Fairies will come and start
hanging around him. Their purpose is not good, they want to do him harm, but
since they cannot enter the circle, which has been traced with a black - hilted
dagger, they try to lure him out in every possible way. They use blarney, they
sing him nice songs, they wheedle him in a thousand and one different ways, but
if he is wise, he must remain calm and continue to play the lyra without
leaving the circle. If they fail, they invite him out of the circle in order to
teach him how to play the lyra better. He must refuse. Then they will ask him
to give them the lyra. The lyra - player should give it, cautious to let his
arm or other part of his body out of the circle, because it will be amputated
or he will go insane.’
Then a Fairy starts playing the lyra
with great virtuosity and afterwards they return the lyra to him, hoping that
he will be persuaded to leave the circle and they will be able to harm
him".
According to the description of
Nikos Politis, the continuous interchange of the instrument between the Fairies
and the lyra - player, without anyone of them passing the limits of the circle
traced with the black - hilted dagger, continues all night long until the first
cock crows. Then they ask him to give them something of his own and they
promise to teach him how to play the lyra like them in return. The lyra -
player usually gives them one of his nails and they in turn teach him how to
play the lyra with great virtuosity and then disappear at daybreak.
For this reason, in earlier times,
if a lyra player played his instrument with outstanding virtuosity, he used to
say: "What do you think? I learnt to play the lyra at the
crossroads". "
Videos
on The Style Greek blades
More
Info on the history of the black hilted knife:
Finley made modern White and Black handle Cretan knives |
Cretan dagger with engraved poem/song |
Cretan
daggers are steel bladed, one-edged, straight knifes with very sharp, thin
points. Ancient Cretan daggers were double-edged and very ornate. Modern blades
are more practical. The handle of the dagger is called the "manika."
Daggers are made with three common types of manikas, the bird's beak, the
V-shape, and the classic style of ancient Cretan daggers. Manikas are only made
from animal horn (black goat horn), white bone or ivory. Cretan daggers are
sheathed in highly decorated metal sheath of silver or gold.
A
small black hilted dagger is also used in the wedding ceremony during rituals
intended to keep bad spirits away.
Two separate grimoire illustrations shows stylized “split” handle section popular with greek/Cretan knifes
and shows
A Grimoric List of Variations for construction of
the Magical Black Handled knife:
Illustrations of the "Magical knife" or dagger in The
Clavis or Key to the Magic of Solomon: From an Original Talismanic Grimoire in
Full Color by Ebenezer Sibley and Frederick Hockley |
1.
The Key of Knowledge (Clavicula
Salomonis) Transcribed from British Library, Additional manuscript 36674.
A knife is required in this art,
therefore make it be made with a handle of iron which is pure, and let it be
tempered in goose blood in the day of Mercury [Wednesday], in the increase of
the Moon. After it be finished, say ten masses to be said over it, and write
upon the handle thereof with the needle aforesaid these signs which follow:
Then perfume it as hereafter
is appointed, and note that the circle be made with such a knife, this day lay
it up in silken cloths until thou wilt work, and cut nothing with this knife,
but only all things belonging to this art.
All other instruments of iron
whatsoever they be, let them be made on the day, and hour of Mercury,
and write upon them these signs following:
|
Also, see to the swords wherewithal you will work, that they be clean, and write upon them as followeth: lamec, Theah, Aniles, Theophilos, Def, Beth ladomay, El, Ja, Jah, Emanuel, Saday, Emnanal, sum qui sum, Agla, ALPHA & OMEGA. Write this with the ink aforesaid, and smoke them with the odours, and say this conjuration:
I
conjure thee by the names, Abraham,
Abraho, Tetragrammaton, which is to say, Aglane, that thou hurt me
not in work. I conjure thee by pure, Stimulaton, and by these
unspeakable names of Almighty God, which are: Egyrion, Osystron, Enona,
Aula, by Asyn and by Manalo, Emanuel, Sabaoth, Adonay, primus,
nouissimus, vnigenitus, Via, Vita, Manus, hono, primogenitus, finis, Sapientia,
virtus, a. Caput, verbum, gloria, splendor, lux, Sol, Imago, Mors, Janua,
Petra, Lapis, Angulus, Sponsus, pastor, propheta, Sacerdos, Athanatos, Ysyon,
Pantacraton, Jesus, Halleluia; by these names, and all other names; I
conjure you, that you have no power to hurt me.
Which done, let him
keep it as before is said.
Besides this there must be made another knife in the day and hour of Mercury,
tempered with the juice of pimpernel, and the bloode of a goose, upon the which
you shall cause three masses to be said. Also, you must perfume it and sprinkle
it with water as is aforesaid, with which knife, all thinges necessary must be
cut. Note also that before any of these things be consecrated, that they be
virgins, that is, such as were never used in work or labour.
THE
KEY OF SOLOMON BOOK II
edited by S. Liddell MacGregor Mathers
Traditional Black handle knife reproduced from the image found in Mather's illustration made by my friend Gary of http://www.omegaartworks.com/ |
But as for the knife with the black
hilt for making the circle, wherewith to strike terror and fear into the
spirits, it should be made in the same manner, except that it should be done in
the day and hour of Saturn, and dipped in the blood of a black cat and in the
juice of hemlock, the characters and names a shown below being written thereon,
from the point towards the hilt. Which being completed, thou shalt wrap it in a
black silk cloth.
variation of sigils 1 |
Variation of sigils 2 |
Let him make a knife, of the form
following, of Iron andamco. With a white haft of Ivory yt is tempered in the
bloud of a goose and the Joyce [juice] of pimpernell, and let it be made one
day & his howre in the augment of ye and fullfill from the first howre to
ye 13th howre, and when he is made, cause to be songe over him x. masses. And
write over (?) cinabrig conjured upon his hast, eyther with a needle or a
poyntell of Iron, of such as followeth, of a needle, with this figure
Notice the suggested size and shape for the black knife here. Worthy of what is described in the Grimorium Verum. |
Black and White handled knives from the "Veritable Key of Solomon" |
Sloane 3847. The Clavicle of Solomon, revealed by Ptolomy the Grecian.
It is necessary in operations of artes or experiments to have swordes and knifes and other Instruments of the which circles may be made, and other necessary operations,[48v] Let him make a knife, of the forme following, of Iron andamco. With a white haft of Ivory yt is tempered in the bloud of a goose and the Joyce [juice] of pimpernell, and let it be made one day & his howre in the augment of ye and fullfill from the first howre to ye 13th howre, and when he is made, cause to be songe over him x. masses. And write over (?) cinabrig conjured upon his hast, eyther with a needle or a poyntell of Iron, of such as followeth, of a needle, with this figure
and fumigate him with fumigations as followeth, with such a knife as
the circles should be made with, if it be greevous for you to make such a
knife, finde some knife of the foresaid fashion, with a haft all white or all
blacke, and write upon manicu~ or haft the foresaid wordes, after the mañer
aforesaid of that knife, and upon the plate begiñinge from the poynt, write
with encausto conjured, Alpha et omega, agla, Ja, el, ou, premeumaton,
syrnel, afrnel, and cause to be sayd over this knife [49r] 3 masses, one of the holy
ghost and 2 of our Lady and fumigate him, with the fumigations followinge, and
blesse him with water as followeth, conjuring sayinge, in nomine patris
filii et S. Sancti Amen, and put him in a silke cloth, of such as
followeth, until ye will worke, and of that knife let the circles of artes be
made, and with that knife, let things necessary to the artes or experiments be
cut, likewise let Artanus be made, but they neede not to be put in any
operation, Let other Instruments of Iron, or staves, or rodds excersised in
artes or experiments be consecrated, on that mañer, if they be Instrumts
Let them be made one dayes and his howre as
it is said of ye knife, and Arthano, and let these that followeth be
written upon them,
( Here we have some obvious references to the word that would later be called "The athame")
if they be staues or rodds, they
ought for to be virginall, of whatsoeuer wood they be, & cutt of at one
cut, with the knife aforesayd, in the howre of , and let the foresayd
carecters be written upon that rodde, with such Inke as followeth then say ouer
that rodd these wordes,
Adonay sanctissime et potens, tetragrammaton, fortissime,
Saday, potentissime, adestote, et consecrate virgulam istam quemadmodum [49v]
convenit per te sanctissime Adonay cuius regni noterit finis per omnia
secula seculorum Amen.
Then let him be put in cleane place
untill ye worke, swordes be necessarry in artes or experriments, take the
swordes that ye worke withall after the manner followinge let them be scoured,
and cleane from the first howre of unto
the xii howre, and let these wordes be written upon his syde,
Lamec, Sidac, Cethag, Cheah, anilos, theodomos, theophilos,
persidonos dif, chech, hech, ladomay ely elyol, ysyh, elya, Iach, emanuel,
Saday, emuanas, nazarel, sum qui sum, alpha et omega
with cinobrio coniured, then let him
be fumigate with fumigations followinge,
Arthanos is made one day in the augment of
the moone, and let him be tempered in the Joyce of pimpernell, and the bloud of
a goose, and 3 masses songe ouer him, and be fumigate with such fumigation as
followeth, and let them bathe them with such water as followeth, of water and
Isope, of the which arthano ought to be cutt all necessary thinges to artes or [50v] experiments, and of him must
the circles be made, about testas of the fumigations, and that is the
dewty of this artanus, likewise let the swordes and spheares be consecated
[sic], that they be new and virgin Iron, and never occupied in any worke, for
if it were made otherwise, it would not profit.
The Black hilted knife for cutting
hazel making circle and pinning down demons . “That with the
black handle, destined to describe the circle and intimidate the spirits, and
for performing other similar things, must be made in every respect like the
first, except as regards the day and hour, which should be those of Saturn. The
steel should be extinguished in the blood of a cat 3 times and the juice of
hemlock, while the handle should be of sheep's horn.”
Grimoirium
Verum
or
The True Grimoire
The Most Approved
Keys
of
Solomon, The Hebrew
Rabbi
Of the Magical Knife.
It is necessary to have a knife or lancet, of new
steel, made on the day and hour of Jupiter with
the Moon crescent.
( This is curiously unique to the grimoire
indicating the knife be an implement for authority and success. Most likely the
“crescent moon” in question is when the moon is waxing but not quite half.)
If it cannot
be made, it may be bought, but this must be done at the time, as above. Having
achieved this, you will say the Orison or Conjuration following, which will
serve for the knife and lancet.
Conjuration of the Instrument.
I conjure thee, O form of the Instrument, by the
authority of our Father God Almighty, by the
virtues of Heaven and by the Stars, by the virtue of
the Angels, and by the virtue of the
Elements, by the virtues of the stones and herbs,
and of snow-storms, winds and thunder: that
thou now obtain all the necessary power into thyself
for the pefectioning of the achievement of
those things in which we are at present concerned!
And this without deception, untruth, or
anything of that nature whatsoever, by God the
Creator of the Sun of Angels! Amen.
Then we recite the Seven Psalms, and afterwards the
following words:
Dalmaley lamekh cadat pancia velous merroe lamideck
caldurech anereton mitraton : Most
Pure Angels, be the guardians of these instruments,
they are needed for many things.
The Sacrificial Knife.
( Again, the Verum is ubnique as this is most likely
the “black hilted” knife but is NOT the one listed above which is used to make
the circle with. In most other SOlominc texts, the black handled knife is the
one that enscribes the circles)
On the day of Mars [Tuesday] at the New Moon, make a
knife of new steel which is strong
enough to cut the neck of a kid with one blow,
( Here a large knife or machete or clever type
blade is suggested and would be practical in “cutting the hazel rod with one
strike”. A small knife would not be able to serve this function properly and
also a large knife would be easier to inscribe a circle on the ground with.)
and make a
handle of wood on the same day ( The type
of handle suggested here is most likely hazel nut as well) and in the same hour, and with an engraver
you engrave on the handle these characters:
And the sigil Bechaud:
Engrave or write on the blade AGLA. Then asperge and
fumigate it, and you have prepared an instrument for service when and whereyou
wish.
Large Greek/Cretan style Black Horn "knife" apropriate for the Verum Sacrificial knife. |
The Sacrificial knife is meant to slay the goat for
the spirit that is to be summoned, as well as to make the parchment for the art
by skinning it after. This may seem barbaric to some at first but echoes
strongly the earlier Greek and Hebrew practices of animal sacrifices. Interestingly
though, as I mentioned, the sacrificial knife is the same one used for cutting the
wood of the hazel rod, but NOT marking out the circle with. The suggested size
and ability to kill and cut “in one stroke” makes it a formidable and more
effective weapon however.
My KNIFE
My favorite Black horn handle knife to date before its engraving and consecration |
So what do I use? Well the above was my knife before I fancied it up. I decided to refrain from displaying a current image of it at this time for personal reasons. I will say this. I opted for using a collaborating source of sigils stemming from The Key of Solomon Aub24 and using the preperations dictated by the text. I also experimented reconsecrating it if you will on auspicious Saturnine times as well as during Martian days/hours. Forming circles with this weapon out of doors is a very powerful gesture. I admit I do not typically use it in dealing with spirits for the severity and harshness it represents. However I am never worried about a spirit daring to stand against it.
The way in which I wil use this knife in abroad, begins with unwrapping it from its black silk, saying a prayer over it that I used during its consecration and I chat vigeriously the prayers found in the KoS while marking out my circle. If I also have my hazel wand or magical sword, I will almost always stab it in the ground within my circle before I begin my conjurations. This has felt "right" and a powerful sealer to my circle. (examine the "conjurer picture illustrations in esoteric archives)
My disposition toward spiritual entities of all sorts has evolved and changed over the years and I find I am less and less likely to threaten and demand in a harsh manner as I wish to learn and form respectable relationships between myself and the denizens of the spiritual world. Regardless, I am a warrior as much as a magician and I take nothing for granted and realize my best intentions are not always considered by supernatural beings. The black handled knife is a reminder of my capabilities...
The way in which I wil use this knife in abroad, begins with unwrapping it from its black silk, saying a prayer over it that I used during its consecration and I chat vigeriously the prayers found in the KoS while marking out my circle. If I also have my hazel wand or magical sword, I will almost always stab it in the ground within my circle before I begin my conjurations. This has felt "right" and a powerful sealer to my circle. (examine the "conjurer picture illustrations in esoteric archives)
My disposition toward spiritual entities of all sorts has evolved and changed over the years and I find I am less and less likely to threaten and demand in a harsh manner as I wish to learn and form respectable relationships between myself and the denizens of the spiritual world. Regardless, I am a warrior as much as a magician and I take nothing for granted and realize my best intentions are not always considered by supernatural beings. The black handled knife is a reminder of my capabilities...
OTHER EXAMPLES OF the magical knife
and its uses:
African style ritual dagger |
There are a few cultures I’ve
studied who utilize a dagger or knife in a ritualistic way concerning spirits.
You will find many similarities between Cretan and Indonesian knives in their
composition, make, and use. The Indonesians make many blades with black horn
handles in similar styles that you find in the grimoires. The kris is a highly
prized knife of reputed magical power. In some circles and weapon’s experts it
is seen as the most magical and effect knife in the world. For my tastes, if I
cannot make the knife myself, I prefer it be made by a person of a culture and
disposition where magic is vibrant and the lineage is inherent with mystical
tradition and intention. Forming a relationship with a knife maker or
artisan is a great way to have one made but their disposition toward magical
arts might be a deciding factor depending on how much you inform them of your
intentions.
Richard P. H. Greenfield in his
"Traditions of belief in late Byzantine Demonology" describes some various uses for the “magical knife” and more specifically the black-handled knife in exorcism. The knife was plunged into the heart of a tree when calling upon that tree's spirit to work with the magician. And again, whilst and exorcism was being carried out on a person laid out on a table, the knife is plunged into the table to fix or hold the spirit once it was brought out of the
"Traditions of belief in late Byzantine Demonology" describes some various uses for the “magical knife” and more specifically the black-handled knife in exorcism. The knife was plunged into the heart of a tree when calling upon that tree's spirit to work with the magician. And again, whilst and exorcism was being carried out on a person laid out on a table, the knife is plunged into the table to fix or hold the spirit once it was brought out of the
person.
Phurba or more properly, kīla (or kīlaka)
To work with the spirits and deities
of the earth, land and place, indigenous people of India, the Himalayas and the
Mongolian Steppe pegged, nailed and/or pinned down the land. The nailing of the
kīla is comparable to the idea of breaking the earth (turning the sod) in other
traditions and the rite of laying the foundation stone. It is an ancient
shamanic idea that has common currency throughout the region; it is prevalent
in the Bön tradition and is also evident in the Vajrayana tradition. According
to shamanic folklore current throughout the region, "...the mountains were
giant pegs that kept the Earth in place and prevented it from moving."
(Kerrigan, et al., 1998: p27) Mountains such as Amnye Machen, according to
folklore were held to have been brought from other lands just for this purpose.
Stupa (compare cairn) are a development of this tradition and akin to kīla.
As a tool of
exorcism, the kīla may be employed to hold demons or thoughtforms in place (once they have been expelled from their human
hosts, for example) in order that their mindstream may be re-directed and their
inherent obscurations transmuted. More esoterically, the kīla may serve to bind
and pin down negative energies or obscurations from the mindstream of an
entity, person or thoughtform, including the thoughtform generated by a group,
project and so on, to administer purification
As Müller-Ebelling, et al. (2002: p. 55)
states:
“The magic
of the Magical Dagger comes from the effect that the material object has on the
realm of the spirit. The art of tantric magicians or lamas lies in their
visionary ability to comprehend the spiritual energy of the material object and
to willfully focus it in a determined direction. . . The tantric use of the
phurba encompasses the curing of disease, exorcism, killing demons, meditation,
consecrations (puja), and weather-making. The blade of the phurba is used for
the destruction of demonic powers. The top end of the phurba is used by the
tantrikas for blessings.”
“In the Kathmandu Valley, the kīla
is still in usage by shamans, magicians, tantrikas and lamas of different
ethnic backgrounds. The kīla is used particularly intensively by the Tamang,
Gurung and Newari Tibeto-Burmese tribes. The kīla is also employed by the Tibetans
native to Nepal (the Bhotyas), the Sherpas, and the Tibetans living in
Dharamasala.”
Black horn knife Indonesian style |
Origion of the “Athame”
"t\The Key of Solomon show considerable
variability in labelling the ritual implement in question, but the oldest and
best Latin and Italian manuscripts read "artavus" (penknife.) The
English mss. Sl.3847 reads arthanus or arthany. The French manuscripts read
artave, arthane, arthame, or athame. Other variations include arctavus. The
variability is easy to explain: Artavus is a Medieval Latin term, not found in
most dictionaries. It is clearly described by Du Cange
as "a small knife used for
sharpening the pens of scribes." –Joseph Peterson
One of my first Magical Daggers or "Athame" equivalent. The handle is 5000 Irish bog oak. |
other magical knives/daggers in my collection |
-Available
for the interested magician: I am offering a few of my select prized
blades that I’ve collected over the years in honor of the mighty black hilted
knife. Each one was handpicked and selected for its materials and uniqueness
and also for it’s seemingly predisposition toward magical work. The blades have
each been modified and/or worked with in some sense with spiritual entities so
they will not be virgin in any case if that is one of your concerns.
A look of magical knives I've collected over the years |
However I
can attest that each works for its intended purpose and should do so regardless
of my previous handling. I am also offering some custom fashioned IRISH
HAZELNUT WANDS which where personally hand made, cut, and sealed with a mixture of
consecrated hazelnut oil and hyssop oil.
For the time being I am not listing these implements up on auction and will not be listing prices here. If anyone is curious in any of the aboce items, contact me adn we will work it out from there.
Sources:
Joseph Peterson's The
ESOTERIC ARCHIVES classical works of Solomonic Magic: http://www.esotericarchives.com/
The
Clavis or Key to the Magic of Solomon: From an Original Talismanic Grimoire in
Full Color by Ebenezer Sibley and Frederick Hockley
The
Magical Treatise of Solomon, or Hygromanteia (Sourceworks of Ceremonial Magic
Series)
by
Ioannis Marathakis
http://stigmes.gr/br/brpages/articles/kritiko%20maxairi.htm
Google: "taking blood from cats" - you tube.
Wikipedia
The Veritable Key of Solomon -Stephen Skinner and David Rankine
The TRVE Grimoire by Jake Stratton-Kent
I have to ask you, wherever did you come by that amazing cloth magical circle I see in the images? Did you make it yourself? I practice Traditional Witchcraft and not Ceremonial Magic per se, but there is a lot of overlap and something like that would really come in handy. I've found your blog to be most interesting!
ReplyDeleteAlso, Gary at Omega Works made my Athame for me as well, and I am absolutely thrilled with it. I live in the Pacific Northwest and have easy access to Hazel trees, so next he's going to be making me a Hazel wand to match my knife.
ReplyDeleteRaven, I made the circle myself and attempt to make most of my magical equipment where I’m able. I have background in Celtic practices and historic approaches to Druidism so appreciate much of the serious Pagan paths. The overlap Witchcraft finds with ceremonial magic is much of Gardner’s background in in the ceremonial magic practices of that day where such tools as the “artheme” and the sigils and methods were borrowed from famous grimories of magic, mostly the Key of Solomon. Some methods found in various MS’s of magic undoubtedly have borrowed or integrated folk magic techniques of the day as well. So lots of overlap :)
ReplyDeleteGary does great work and I have a few of his His works that he’s custom made from me since 1999. He designed my Solomonic Sword to my specifications and have really appreciated his skilled craftsmanship.
The Ceremonial aspect of what we think of as "Witchcraft" actually predate Gardner by a long time; have you read "The Grimoire of Arthur Gauntlet?" It's a genuine workbook of a 17th century English "Cunning Man" or white witch. His practices drew heavily from the grimoires and to the modern eye of most Pagans would seem hopelessly complicated. An interesting change that he made was that he used a wand more than a knife; this could have been from personal preference, or because of the ease of carrying a wooden implement about. Many of the Cunning Folk drew upon the Key of Solomon, etc though they largely took isolated bits, sigils, etc and put them to a more Earthy use; they did not seem too interested in working with a Guardian Angel, etc. By the 19th century it was possible to order books of magic, and in some cases these seem to have been collected by even the illiterate witches whether for show or as a magical item in and of itself. Gardner merely drew from the same well that a lot of earlier practitioners had done, and added to that his background in Freemasonry and Eastern occultism as well as his love of British folklore.
ReplyDeleteGary does indeed do amazing work. It's always nice to find skilled craftsmen who create quality products. What I can't make myself I have custom made for me, though I confess my craftsperson skills are not up to much. You did a great job with that circle!
Raven, yes, I purchased the "The Grimoire of Arthur Gauntlet" when it came out and David was promoting it. A Great work! Not one I associate with witchcraft in anyway though. "Cunning man" was just another name for a magician, mage, wizard and so on. I suppose some might mistakenly call him a witch (or the practice, "witchcraft") as well since often such practices were grouped together. (historically the lines were somewhat blurred) However all of the material is that which is found in the various Solomonic magical texts and same Christian/Jewish religious overtones. Although, as I mentioned before, some of the spells and methods may have come from various folk traditions. Most are direct derivatives of one of the SOlomonic cycle texts though which I always group under the Western Ceremonial Magic Tradition.
ReplyDeleteThis was a great article. Thanks very much.
ReplyDeleteI'm wondering what you ended up inscribing on the blade of your knife, if anything?
No need to show the actual blade, just curious as to what words and script you decided upon...
Great page really useful.
ReplyDeleteHello Dear. I would love to translate your text to portuguese, could I?
ReplyDeleteHi, Could you please tell me: to engrave a black hilted knife with King Solomon's markings, which figure (photo) would I use. Thank you Shelley
ReplyDeleteMost of your knives were made in the Philipines
ReplyDeleteYes, many including the one I used predominately as my black handled knife
DeleteOn a hunch , i thought Indonesian keris may be from ancient Greek krios "male goat, battering ram" and then found there is a modern Cretan krios dagger with ram-horn handle of kri-kri "wild goat".. Your blog connects these with phurba "healing knife".
ReplyDeleteAn Aboriginal skull dated late 1200s was found in NSW east Australia with a slicing fracture down the frontal bone . Tests show that hardwood blades can't slice bone that way. So probably an Indonesian keris ( krios?) was used. There are records of ceremonies nearby like Tantraya healing using 9inch twigs as dorje phurba along with Old Java language names for ceremonial details as well as chakra concepts ( fire burning the forehead). A local title is Ngurrumpaa and Ngarampa is a high degree in Tantraya which had teaching temples in Indonesia 1000 years ago.
So thank you , your info has locked some facts into place.
John
Excellent reply John and yes. Also the use of the Phurba has remarkable similarity to a use in a magical method found in the Hygromantiea/Treatise of Solomon which I am looking into further.
DeleteHi ,
ReplyDeleteNice article.Thank you for sharing the information.I really glad enjoy read that topic.I appreciate post for your.
stabilized knife scales
I am curious if you know this particular knife, http://www.lostmormonism.com/mars-dagger/ and what grimoire instructed its creation? I am a blacksmith and I want to recreate it.
ReplyDeleteThe knife is simply a Mars dedicated magical knife and such things were made for threatening evil spirits usually and/or used to carve out the barrier of a magical circle. “Adonai” is Hebrew for “Lord” and doesn’t have anything to do particularly with “finding treasure”. It’s most likely drawn from ideas found in “The Magus” since the planetary sigils are used, just like Joseph Smith’s infumous “Jupiter Talisman”. The knife being made of steel (iron) which is the metal of Mars , certainly a weapon directly to mars it’s int need use is pretty straightforward.
DeleteHi I have a knife that I am not sure of and it has the name of Goddess Nemesis name on it but it cannot be seen properly. It says Nemesis Now on the blade
ReplyDeletehow can you contact me to work for me
ReplyDeleteWhile serrated blades work better for cutting fabric like material they tend to be a little harder to sharpen making them less popular. best folding knife brands
ReplyDelete